Re-connecting to Instinct
Richard Benson’s new book, The Printed Picture (published in 2008 by The Museum of Modern Art, New York), is a thorough and fascinating read on the history of the print and printing processes. In a chapter on “Where do we go from here?”, in a section on calibration, he offers, “This is a terrible thing. Artists have always placed technique on a lesser level than visceral impulse; when they don’t they become craftsmen instead. The line between these two activities is soft and blurry, but the great technical prowess of the finest artists never obscures the fact that their work is valued because their craft carries something far more interesting than the craft itself. A work of art expresses the wisdom of the artist and the craft is the mechanism that brings this wisdom to physical form. . .”

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